Urbana Campus Research Calendar
Monday, December 10, 2018
A collaboration of Irish artists Gareth Kennedy and Sarah Browne, Kennedy Browne’s videos, workshops, and sculptural installations have probed common stories of global capital: the effects on workers of relocating companies, the visionary boyhood narratives of tech company founders, and struggles over privacy in the age of the internet.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
Tuesday, December 11, 2018
A collaboration of Irish artists Gareth Kennedy and Sarah Browne, Kennedy Browne’s videos, workshops, and sculptural installations have probed common stories of global capital: the effects on workers of relocating companies, the visionary boyhood narratives of tech company founders, and struggles over privacy in the age of the internet.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
"The Gates Medical Research Institute: Building a Non-profit Biotech" Jared Silverman, PhD Bill & Melinda Gates Medical Research Institute Head, Translational Discovery
Juan Torres oversees continuing efforts at the NREL's Energy Systems Integration Facility (ESIF) to strengthen the security and resilience of the nation's electrical grid. He leads NREL's global initiative to optimize links between electricity, fuel, thermal, water, and communication networks in order to develop and demonstrate new technologies to modernize the grid.
Learning a language is generally considered the crown jewel of human abilities. Yet the core question of ‘What is it about the human mammalian brain that allows us to learn our language?’, remains unresolved. In humans, language acquisition is mediated by a process called ‘vocal learning’. [See Full Description]
Michael Yartsev - UC Berkeley “Neurobiological Investigation of Vocal Production Learning in the Mammalian Brain”
Wednesday, December 12, 2018
A collaboration of Irish artists Gareth Kennedy and Sarah Browne, Kennedy Browne’s videos, workshops, and sculptural installations have probed common stories of global capital: the effects on workers of relocating companies, the visionary boyhood narratives of tech company founders, and struggles over privacy in the age of the internet.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
CASC mission and the opportunities to join LLNL Pizza, refrements and meet & greet starting at 11:45. LUNCH PROVIDED
Thursday, December 13, 2018
The IGL Open house will take place on Reading Day December 13 1-4pm in 239 Altgeld Hall. Undergraduate IGL scholars will present posters about the research they have done in IGL projects in the Fall.
A collaboration of Irish artists Gareth Kennedy and Sarah Browne, Kennedy Browne’s videos, workshops, and sculptural installations have probed common stories of global capital: the effects on workers of relocating companies, the visionary boyhood narratives of tech company founders, and struggles over privacy in the age of the internet.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
Emad M. Boctor, Johns Hopkins University, will speak on "The Ultrasound of MUSiiC: Robotics and Advanced Ultrasound Imaging in Medicine," at 2 p.m. Dec. 13, in Beckman Room 3269.
Friday, December 14, 2018
A collaboration of Irish artists Gareth Kennedy and Sarah Browne, Kennedy Browne’s videos, workshops, and sculptural installations have probed common stories of global capital: the effects on workers of relocating companies, the visionary boyhood narratives of tech company founders, and struggles over privacy in the age of the internet.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
KAM offers a lunchtime yoga series on Fridays when classes are in session. Each Yoga at the Museum session is free and open to the public.
Saturday, December 15, 2018
A collaboration of Irish artists Gareth Kennedy and Sarah Browne, Kennedy Browne’s videos, workshops, and sculptural installations have probed common stories of global capital: the effects on workers of relocating companies, the visionary boyhood narratives of tech company founders, and struggles over privacy in the age of the internet.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
Monday, December 17, 2018
A collaboration of Irish artists Gareth Kennedy and Sarah Browne, Kennedy Browne’s videos, workshops, and sculptural installations have probed common stories of global capital: the effects on workers of relocating companies, the visionary boyhood narratives of tech company founders, and struggles over privacy in the age of the internet.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
Tuesday, December 18, 2018
A collaboration of Irish artists Gareth Kennedy and Sarah Browne, Kennedy Browne’s videos, workshops, and sculptural installations have probed common stories of global capital: the effects on workers of relocating companies, the visionary boyhood narratives of tech company founders, and struggles over privacy in the age of the internet.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
Wednesday, December 19, 2018
A collaboration of Irish artists Gareth Kennedy and Sarah Browne, Kennedy Browne’s videos, workshops, and sculptural installations have probed common stories of global capital: the effects on workers of relocating companies, the visionary boyhood narratives of tech company founders, and struggles over privacy in the age of the internet.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
Thursday, December 20, 2018
A collaboration of Irish artists Gareth Kennedy and Sarah Browne, Kennedy Browne’s videos, workshops, and sculptural installations have probed common stories of global capital: the effects on workers of relocating companies, the visionary boyhood narratives of tech company founders, and struggles over privacy in the age of the internet.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
Friday, December 21, 2018
A collaboration of Irish artists Gareth Kennedy and Sarah Browne, Kennedy Browne’s videos, workshops, and sculptural installations have probed common stories of global capital: the effects on workers of relocating companies, the visionary boyhood narratives of tech company founders, and struggles over privacy in the age of the internet.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
Quantitative Characterization of Cellular Dynamics in Skin using Multimodal Microscopy
KAM offers a lunchtime yoga series on Fridays when classes are in session. Each Yoga at the Museum session is free and open to the public.
Saturday, December 22, 2018
A collaboration of Irish artists Gareth Kennedy and Sarah Browne, Kennedy Browne’s videos, workshops, and sculptural installations have probed common stories of global capital: the effects on workers of relocating companies, the visionary boyhood narratives of tech company founders, and struggles over privacy in the age of the internet.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
Wednesday, January 2, 2019
A collaboration of Irish artists Gareth Kennedy and Sarah Browne, Kennedy Browne’s videos, workshops, and sculptural installations have probed common stories of global capital: the effects on workers of relocating companies, the visionary boyhood narratives of tech company founders, and struggles over privacy in the age of the internet.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
Thursday, January 3, 2019
A collaboration of Irish artists Gareth Kennedy and Sarah Browne, Kennedy Browne’s videos, workshops, and sculptural installations have probed common stories of global capital: the effects on workers of relocating companies, the visionary boyhood narratives of tech company founders, and struggles over privacy in the age of the internet.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
Friday, January 4, 2019
A collaboration of Irish artists Gareth Kennedy and Sarah Browne, Kennedy Browne’s videos, workshops, and sculptural installations have probed common stories of global capital: the effects on workers of relocating companies, the visionary boyhood narratives of tech company founders, and struggles over privacy in the age of the internet.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
Saturday, January 5, 2019
A collaboration of Irish artists Gareth Kennedy and Sarah Browne, Kennedy Browne’s videos, workshops, and sculptural installations have probed common stories of global capital: the effects on workers of relocating companies, the visionary boyhood narratives of tech company founders, and struggles over privacy in the age of the internet.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
Monday, January 7, 2019
A collaboration of Irish artists Gareth Kennedy and Sarah Browne, Kennedy Browne’s videos, workshops, and sculptural installations have probed common stories of global capital: the effects on workers of relocating companies, the visionary boyhood narratives of tech company founders, and struggles over privacy in the age of the internet.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
Join us for a talk from Matt Kenyon, new media artist, “The Ethics and Aesthetics of Accumulation and Waste.”
Tuesday, January 8, 2019
A collaboration of Irish artists Gareth Kennedy and Sarah Browne, Kennedy Browne’s videos, workshops, and sculptural installations have probed common stories of global capital: the effects on workers of relocating companies, the visionary boyhood narratives of tech company founders, and struggles over privacy in the age of the internet.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
Wednesday, January 9, 2019
A collaboration of Irish artists Gareth Kennedy and Sarah Browne, Kennedy Browne’s videos, workshops, and sculptural installations have probed common stories of global capital: the effects on workers of relocating companies, the visionary boyhood narratives of tech company founders, and struggles over privacy in the age of the internet.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
Thursday, January 10, 2019
A collaboration of Irish artists Gareth Kennedy and Sarah Browne, Kennedy Browne’s videos, workshops, and sculptural installations have probed common stories of global capital: the effects on workers of relocating companies, the visionary boyhood narratives of tech company founders, and struggles over privacy in the age of the internet.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
Friday, January 11, 2019
A collaboration of Irish artists Gareth Kennedy and Sarah Browne, Kennedy Browne’s videos, workshops, and sculptural installations have probed common stories of global capital: the effects on workers of relocating companies, the visionary boyhood narratives of tech company founders, and struggles over privacy in the age of the internet.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
Saturday, January 12, 2019
A collaboration of Irish artists Gareth Kennedy and Sarah Browne, Kennedy Browne’s videos, workshops, and sculptural installations have probed common stories of global capital: the effects on workers of relocating companies, the visionary boyhood narratives of tech company founders, and struggles over privacy in the age of the internet.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
Monday, January 14, 2019
A collaboration of Irish artists Gareth Kennedy and Sarah Browne, Kennedy Browne’s videos, workshops, and sculptural installations have probed common stories of global capital: the effects on workers of relocating companies, the visionary boyhood narratives of tech company founders, and struggles over privacy in the age of the internet.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
Tuesday, January 15, 2019
A collaboration of Irish artists Gareth Kennedy and Sarah Browne, Kennedy Browne’s videos, workshops, and sculptural installations have probed common stories of global capital: the effects on workers of relocating companies, the visionary boyhood narratives of tech company founders, and struggles over privacy in the age of the internet.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
Keri Kukral CEO and Founder, Raw Science
Wednesday, January 16, 2019
A collaboration of Irish artists Gareth Kennedy and Sarah Browne, Kennedy Browne’s videos, workshops, and sculptural installations have probed common stories of global capital: the effects on workers of relocating companies, the visionary boyhood narratives of tech company founders, and struggles over privacy in the age of the internet.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
Thursday, January 17, 2019
A collaboration of Irish artists Gareth Kennedy and Sarah Browne, Kennedy Browne’s videos, workshops, and sculptural installations have probed common stories of global capital: the effects on workers of relocating companies, the visionary boyhood narratives of tech company founders, and struggles over privacy in the age of the internet.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
Friday, January 18, 2019
A collaboration of Irish artists Gareth Kennedy and Sarah Browne, Kennedy Browne’s videos, workshops, and sculptural installations have probed common stories of global capital: the effects on workers of relocating companies, the visionary boyhood narratives of tech company founders, and struggles over privacy in the age of the internet.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
Saturday, January 19, 2019
A collaboration of Irish artists Gareth Kennedy and Sarah Browne, Kennedy Browne’s videos, workshops, and sculptural installations have probed common stories of global capital: the effects on workers of relocating companies, the visionary boyhood narratives of tech company founders, and struggles over privacy in the age of the internet.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
Tuesday, January 22, 2019
A collaboration of Irish artists Gareth Kennedy and Sarah Browne, Kennedy Browne’s videos, workshops, and sculptural installations have probed common stories of global capital: the effects on workers of relocating companies, the visionary boyhood narratives of tech company founders, and struggles over privacy in the age of the internet.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
Shannon Sirk, PhD IGB Microbiome Metabolic Engineering Research Theme University of Illinois, Department of Bioengineering
Wednesday, January 23, 2019
A collaboration of Irish artists Gareth Kennedy and Sarah Browne, Kennedy Browne’s videos, workshops, and sculptural installations have probed common stories of global capital: the effects on workers of relocating companies, the visionary boyhood narratives of tech company founders, and struggles over privacy in the age of the internet.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
Thursday, January 24, 2019
A collaboration of Irish artists Gareth Kennedy and Sarah Browne, Kennedy Browne’s videos, workshops, and sculptural installations have probed common stories of global capital: the effects on workers of relocating companies, the visionary boyhood narratives of tech company founders, and struggles over privacy in the age of the internet.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
Friday, January 25, 2019
A collaboration of Irish artists Gareth Kennedy and Sarah Browne, Kennedy Browne’s videos, workshops, and sculptural installations have probed common stories of global capital: the effects on workers of relocating companies, the visionary boyhood narratives of tech company founders, and struggles over privacy in the age of the internet.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
Saturday, January 26, 2019
A collaboration of Irish artists Gareth Kennedy and Sarah Browne, Kennedy Browne’s videos, workshops, and sculptural installations have probed common stories of global capital: the effects on workers of relocating companies, the visionary boyhood narratives of tech company founders, and struggles over privacy in the age of the internet.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
Monday, January 28, 2019
A collaboration of Irish artists Gareth Kennedy and Sarah Browne, Kennedy Browne’s videos, workshops, and sculptural installations have probed common stories of global capital: the effects on workers of relocating companies, the visionary boyhood narratives of tech company founders, and struggles over privacy in the age of the internet.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
Tuesday, January 29, 2019
A collaboration of Irish artists Gareth Kennedy and Sarah Browne, Kennedy Browne’s videos, workshops, and sculptural installations have probed common stories of global capital: the effects on workers of relocating companies, the visionary boyhood narratives of tech company founders, and struggles over privacy in the age of the internet.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
Siobhan Brady, PhD University of California, Davis, Department of Plant Biology
Wednesday, January 30, 2019
A collaboration of Irish artists Gareth Kennedy and Sarah Browne, Kennedy Browne’s videos, workshops, and sculptural installations have probed common stories of global capital: the effects on workers of relocating companies, the visionary boyhood narratives of tech company founders, and struggles over privacy in the age of the internet.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
Thursday, January 31, 2019
A collaboration of Irish artists Gareth Kennedy and Sarah Browne, Kennedy Browne’s videos, workshops, and sculptural installations have probed common stories of global capital: the effects on workers of relocating companies, the visionary boyhood narratives of tech company founders, and struggles over privacy in the age of the internet.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
Please join us for a curator talk by Eva Respini, Barbara Lee Chief Curator, Institute of Contemporary Art, Boston.