General Events
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While today’s growing social and political unrest throughout America may eventually give rise to a new generation of resistance songs, the Sousa Archives’ American Music Month exhibits this year offer signs of hope. Each exhibit shows that through revolutionary exchanges and revolutionary music, we may be able to foster a dialog between contrary viewpoints.
Capturing Landscape features a selection of 20th and 21st century black-and-white photographs from the collection by artists working in the United States.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
This exhibition celebrates the history of the collection at the University of Illinois; its collector, Antonio Cavagna Sangiuliani di Gualdana; and the extraordinary depth and breadth of the collection, newly accessible thanks to a Cataloging Hidden Collections grant from the Council on Library and Information Resources.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
This exhibition celebrates the history of the collection at the University of Illinois; its collector, Antonio Cavagna Sangiuliani di Gualdana; and the extraordinary depth and breadth of the collection, newly accessible thanks to a Cataloging Hidden Collections grant from the Council on Library and Information Resources.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
This exhibition celebrates the history of the collection at the University of Illinois; its collector, Antonio Cavagna Sangiuliani di Gualdana; and the extraordinary depth and breadth of the collection, newly accessible thanks to a Cataloging Hidden Collections grant from the Council on Library and Information Resources.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
This exhibition celebrates the history of the collection at the University of Illinois; its collector, Antonio Cavagna Sangiuliani di Gualdana; and the extraordinary depth and breadth of the collection, newly accessible thanks to a Cataloging Hidden Collections grant from the Council on Library and Information Resources.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
This exhibition celebrates the history of the collection at the University of Illinois; its collector, Antonio Cavagna Sangiuliani di Gualdana; and the extraordinary depth and breadth of the collection, newly accessible thanks to a Cataloging Hidden Collections grant from the Council on Library and Information Resources.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.