Exhibits
68 matches found
While today’s growing social and political unrest throughout America may eventually give rise to a new generation of resistance songs, the Sousa Archives’ American Music Month exhibits this year offer signs of hope. Each exhibit shows that through revolutionary exchanges and revolutionary music, we may be able to foster a dialog between contrary viewpoints.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
Blue and White explores the technological advances, trade networks, and shared aesthetics that sustain a global appetite for blue-and-white ceramics.
By highlighting KAM’s strong holdings of work from artists practicing in Chicago during the 1930s through the 1980s, this exhibition considers the problematic nature of art historical categories and explores what other stories are missed by perpetuating a single narrative.
