IEI and Campus Master

Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.

An absurdist fable commemorating the October Revolution featuring music by Ilya Demutsky and libretto by Olga Maslova and Igor Konyukov.

Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.

Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.

An absurdist fable commemorating the October Revolution featuring music by Ilya Demutsky and libretto by Olga Maslova and Igor Konyukov.

Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.

This annual exhibition of work by graduate students in the School of Art & Design at Illinois includes Industrial Design, Photography, Studio Art, and Design for Responsible Innovation.

Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.

An absurdist fable commemorating the October Revolution featuring music by Ilya Demutsky and libretto by Olga Maslova and Igor Konyukov.

Take a peek inside each of our theatres and learn more about Krannert Center.

Program includes works by Fazil Say, Alfred Desenclos, Baljinder Singh Sekhon II, Alexander Glazunov, and Takashi Yoshimatsu

This annual exhibition of work by graduate students in the School of Art & Design at Illinois includes Industrial Design, Photography, Studio Art, and Design for Responsible Innovation.

Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.

This annual exhibition of work by graduate students in the School of Art & Design at Illinois includes Industrial Design, Photography, Studio Art, and Design for Responsible Innovation.

Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.

This annual exhibition of work by graduate students in the School of Art & Design at Illinois includes Industrial Design, Photography, Studio Art, and Design for Responsible Innovation.

Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.

The Church Steet Ramblers specialize in traditional jazz from the 1920s and 1930s.

This annual exhibition of work by graduate students in the School of Art & Design at Illinois includes Industrial Design, Photography, Studio Art, and Design for Responsible Innovation.

Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.

MacArthur "Genius" award-winner Kyle Abraham brings his unique choreography and internationally renowned dance company, A.I.M, to perform a repertory of new and exciting works.

Brecht’s 1941 satirical allegory of Hitler’s rise to power, The Resistible Rise of Arturo Ui, follows the elevation of a 1930s Chicago mobster who works a corrupt political and economic system to his advantage.

This annual exhibition of work by graduate students in the School of Art & Design at Illinois includes Industrial Design, Photography, Studio Art, and Design for Responsible Innovation.

Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.

Take a peek inside each of our theatres and learn more about Krannert Center.

Brecht’s 1941 satirical allegory of Hitler’s rise to power, The Resistible Rise of Arturo Ui, follows the elevation of a 1930s Chicago mobster who works a corrupt political and economic system to his advantage.

This annual exhibition of work by graduate students in the School of Art & Design at Illinois includes Industrial Design, Photography, Studio Art, and Design for Responsible Innovation.

Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.

Brecht’s 1941 satirical allegory of Hitler’s rise to power, The Resistible Rise of Arturo Ui, follows the elevation of a 1930s Chicago mobster who works a corrupt political and economic system to his advantage.

This annual exhibition of work by graduate students in the School of Art & Design at Illinois includes Industrial Design, Photography, Studio Art, and Design for Responsible Innovation.

Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.

Brecht’s 1941 satirical allegory of Hitler’s rise to power, The Resistible Rise of Arturo Ui, follows the elevation of a 1930s Chicago mobster who works a corrupt political and economic system to his advantage.

This annual exhibition of work by graduate students in the School of Art & Design at Illinois includes Industrial Design, Photography, Studio Art, and Design for Responsible Innovation.

Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.

Unmistakable sounds of the 1920s—Parisian jazz rhythms, bossa nova, and Latin beat classics—are handcrafted to the talents of We Ain’t Misbehavin’.

Brecht’s 1941 satirical allegory of Hitler’s rise to power, The Resistible Rise of Arturo Ui, follows the elevation of a 1930s Chicago mobster who works a corrupt political and economic system to his advantage.

This annual exhibition of work by graduate students in the School of Art & Design at Illinois includes Industrial Design, Photography, Studio Art, and Design for Responsible Innovation.

Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.

Experience a taste of the quantum world with the performance of a fragment from Quantum Voyages: an adventure tale, the presentation of creative student work from the course Where the Arts Meets Physics, connections through a many-body Quantum Entango, and contemplation of the Universe.

Brecht’s 1941 satirical allegory of Hitler’s rise to power, The Resistible Rise of Arturo Ui, follows the elevation of a 1930s Chicago mobster who works a corrupt political and economic system to his advantage.

This annual exhibition of work by graduate students in the School of Art & Design at Illinois includes Industrial Design, Photography, Studio Art, and Design for Responsible Innovation.

Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.

Brecht’s 1941 satirical allegory of Hitler’s rise to power, The Resistible Rise of Arturo Ui, follows the elevation of a 1930s Chicago mobster who works a corrupt political and economic system to his advantage.

Take a peek inside each of our theatres and learn more about Krannert Center.

Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.

oin this engaging conversation between 23rd United States Poet Laureate Joy Harjo, member of the Muscogee (Creek) Nation, and Jenny L. Davis, professor in American Indian Studies and Anthropology and member of the Chickasaw Nation.

Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.

Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.

Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.

Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.

Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.