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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Мы будем говорить только по-русски! Conversation in Russian, all levels welcome!
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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This program invites you to attempt drawing exercises that improve your mind’s metabolism to convert data into an important resource: IMAGINATION. Join Spurlock staff in creating images that rely upon your ability to access preexisting data and weave it into extraordinary alternatives.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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RBML’s new exhibit celebrates the 75th anniversary of Gwendolyn Brooks’s 'Annie Allen' – the poetry collection that won the first Pulitzer Prize by a Black author – and explores the rich history of Black literature’s emergence into the mainstream. Opening reception will feature remarks by Brooks’s daughter, Nora Brooks Blakely. Exhibit will be on display through May 2025.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Jesse Erickson, Astor Curator of Printed Books & Bindings at the Morgan Library, joins the RBML virtually to discuss Black bibliographical exploration and trace the migrations of Black Vernacular English (BVE) from 18th-century literature to that of the hip hop generation. This presentation is open to the public; please pre-register at go.illinois.edu/Erickson.
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Professor Bob Morrissey (Department of History) joins us to discuss the John Eliot Bible, published in 1664, and how this unusual text can be used to examine American origin stories, as well as histories of historical interpretation and practice in our land-grant institution. Come take a look at RBML’s copy of this exceedingly rare book!
