Pompilia
First 100 matches found
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This annual exhibition of work by graduate students in the School of Art & Design at Illinois includes Industrial Design, Photography, Studio Art, and Design for Responsible Innovation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Brecht’s 1941 satirical allegory of Hitler’s rise to power, The Resistible Rise of Arturo Ui, follows the elevation of a 1930s Chicago mobster who works a corrupt political and economic system to his advantage.
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This annual exhibition of work by graduate students in the School of Art & Design at Illinois includes Industrial Design, Photography, Studio Art, and Design for Responsible Innovation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Join us for a series of events on campus and in CU, organized by UCRJ (Urbana Champaign Reproductive Justice) and sponsored by the University Library!
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Friday Forum + Conversation Café : Envisioning Reproductive Justice in the Post-Dobbs Landscape Samantha Auerbach, Urbana-Champaign Reproductive Justice Friday, April 19 ⋅ 12:00 – 1:00pm (CDT) 1001 S Wright St, Champaign, IL 61820, USA
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Experience a taste of the quantum world with the performance of a fragment from Quantum Voyages: an adventure tale, the presentation of creative student work from the course Where the Arts Meets Physics, connections through a many-body Quantum Entango, and contemplation of the Universe.
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Brecht’s 1941 satirical allegory of Hitler’s rise to power, The Resistible Rise of Arturo Ui, follows the elevation of a 1930s Chicago mobster who works a corrupt political and economic system to his advantage.
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This annual exhibition of work by graduate students in the School of Art & Design at Illinois includes Industrial Design, Photography, Studio Art, and Design for Responsible Innovation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Brecht’s 1941 satirical allegory of Hitler’s rise to power, The Resistible Rise of Arturo Ui, follows the elevation of a 1930s Chicago mobster who works a corrupt political and economic system to his advantage.
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Take a peek inside each of our theatres and learn more about Krannert Center.
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Join us for snacks and a short presentation about what reproductive justice is and how it connects to period poverty/making period products accessible. We’ll also be packing period products to donate during a wellness event with Champaign-Urbana Public Health District. Sign up here if you want to volunteer or pop in to sneak a cupcake!
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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oin this engaging conversation between 23rd United States Poet Laureate Joy Harjo, member of the Muscogee (Creek) Nation, and Jenny L. Davis, professor in American Indian Studies and Anthropology and member of the Chickasaw Nation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Calling all faculty and teaching assistants who are currently using or are interested in using alternative methods for grading (i.e. Labor based grading, Ungrading) in their courses. Join faculty members Kary Zarate (Education) and Clara Bosak-Schroeder (Classics) for an informal discussion about their assessment practices.
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Calls to criminalise "ecocide" are, it seems, everywhere: from indigenous activists and those in the global periphery, to NGOs and political actors in the core. What unites these calls is both a sense of urgency and a need for international action. Yet this paper contends that ultimately the proposed crime of ecocide may be unable to tackle the social reality of ecocide an
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Students, faculty, and staff are invited to an open forum on Thursday, April 25, at 3:00 p.m. co-sponsored by the Senate Library Committee and the University Library. The Forum will include remarks from Dean of Libraries and University Librarian Claire Stewart, the Library's role in AI, and an update on space projects.
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This session gets into the technicalities of podcast distribution. We will cover library policies as well as ethical and legal guidelines for ownership and fair use, copyright, and ensuring the accessibility of your podcast.
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Join the Women's Resource Center and University Library for a reproductive justice zine event! Included will be a short presentation about zines and how they provide a space for reproductive justice, and plenty of time to create your own zine! Materials and music will be provided, as well as the opportunity to look through a selection of the Social Justice Zine Collection
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Friday Forum + Conversation Café : Earth Day and Environmental Justice: Allies or Enemies? McKenzie Johnson, College of ACES Friday, April 26 ⋅ 12:00 – 1:00pm (CDT) 1001 S Wright St, Champaign, IL 61820, USA
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WGGP Spring Reception Please join us as we honor or GRID Graduates and WGGP Award Recipients Friday, April 26 | 4:00-5:00 pm | YMCA Latzer Hall 1001 S. Wright Street, Champaign
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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The U of I and CU community completed the World's Largest Puzzle, "What a Wonderful World," in fall 2023-spring 2024. This 60 section, 6,000 piece puzzle depicts a detailed map of the world, and in total is 8' high x 29' wide. I. Remarks will start at 2, and after attendees are welcome to view the puzzle, participate in a puzzle swap, and play puzzle activities.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Please join us for the first event of the Science, Health, and Equity Series: Unintended Consequences of Premature Black Death at the Spurlock Museum on Tuesday, Apr. 30 at 4 p.m.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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This annual exhibition by graduating seniors demonstrates the School of Art & Design's commitment to excellence and innovation in the practice, study, and teaching of the arts and confirms the advantages of professional studio programs taught in conjunction with the interdisciplinary resources of a leading research university.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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This annual exhibition by graduating seniors demonstrates the School of Art & Design's commitment to excellence and innovation in the practice, study, and teaching of the arts and confirms the advantages of professional studio programs taught in conjunction with the interdisciplinary resources of a leading research university.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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This annual exhibition by graduating seniors demonstrates the School of Art & Design's commitment to excellence and innovation in the practice, study, and teaching of the arts and confirms the advantages of professional studio programs taught in conjunction with the interdisciplinary resources of a leading research university.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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This annual exhibition by graduating seniors demonstrates the School of Art & Design's commitment to excellence and innovation in the practice, study, and teaching of the arts and confirms the advantages of professional studio programs taught in conjunction with the interdisciplinary resources of a leading research university.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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This annual exhibition by graduating seniors demonstrates the School of Art & Design's commitment to excellence and innovation in the practice, study, and teaching of the arts and confirms the advantages of professional studio programs taught in conjunction with the interdisciplinary resources of a leading research university.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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This annual exhibition by graduating seniors demonstrates the School of Art & Design's commitment to excellence and innovation in the practice, study, and teaching of the arts and confirms the advantages of professional studio programs taught in conjunction with the interdisciplinary resources of a leading research university.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
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Throughout her process, Jen Everett remixes images of herself in conversation with the materials she collects to talk about Black life, kinship, and collective gathering. Could you dim the lights? is her first solo museum presentation.
