“Less Metrics, More Rando: (Net) Art as Software Research"
by Ben Grosser, assistant professor, Art and Design
How are numbers on Facebook changing what we "like" and who we "friend?" Why does a bit of nonsense sent via email scare both your mom and the NSA? What makes someone mad when they learn Google can't see where they stand? From net art to robotics to supercuts to e-lit, Ben Grosser will discuss several artworks that illustrate his methods for investigating the culture of software.
Ben Grosser creates interactive experiences, machines, and systems that examine the cultural, social, and political implications of software. Recent exhibition venues include Arebyte Gallery in London, Museu das Comunicações in Lisbon, Museum Kesselhaus in Berlin, and Galerie Charlot in Paris. His works have been featured in The New Yorker, Wired, The Atlantic, The Guardian, The Washington Post, The Telegraph, El País, Libération, Le Monde, Süddeutsche Zeitung, and Der Spiegel. The Chicago Tribune called him the “unrivaled king of ominous gibberish.” Slate referred to his work as “creative civil disobedience in the digital age.” Grosser’s recognitions include First Prize in VIDA 16, and the Expanded Media Award for Network Culture from Stuttgarter Filmwinter. His writing about the cultural effects of technology has been published in journals such as Computational Culture, Media-N, and Big Data and Society. Grosser is an assistant professor of new media at the School of Art + Design, co-founder of the Critical Technology Studies Lab at NCSA, and an affiliate faculty member with the Unit for Criticism and the School of Information Sciences. https://bengrosser.com